Queer Vampires: A Morbid Curiosity
Queer vampires, Vampire-Con, and me featured in Frontiers in L.A. magazine
From Bram Stoker’s Dracula, Anne Rice’s Interview With the Vampire and Joss Whedon’s Buffy the Vampire Slayer to today’s craze over Twilight and True Blood, the vampire genre has come from out of the grave to take center stage.
DaughtersOfDarkness.com Resurrected
My MySpace page is now all things Daughters of Darkness! Do you have a MySpace page? If so, won’t you be my neighbor…er…friend?
As a favorite philosopher of mine once said:
Friend. Good.
Dark Angels
I can’t say why I picked up a copy of Dark Angels: Lesbian Vampire Stories this evening. Inspired, I guess. I hadn’t looked at a copy — well, beyond looking at the spine or the cover — in so long. But something urged me not only to pick it up, but to actually open it and read what I had written so long ago.
It’s probably not that unusual for a writer to revisit her own work, even after many years. But this weekend is especially important. The anniversary of Jenny’s death is approaching — Sunday, April 5th, in fact — and I’ve chosen to spend the weekend on my own, remembering, reflecting, mourning, and also celebrating the amazing life of my dear departed sister.
But that wasn’t foremost in my mind when I picked up Dark Angels. Not at all. My thought, really, was to shelve the book. I’d picked up a used copy somewhere, as I do from time to time with the out-of-print editions, and thought to actually put it away. Instead, I opened it, and read about archetypal images of death as seen through the eyes (my eyes) of someone who had, at best, a metaphysical relationship to the phenomonenon.
I’ve commented on more than one occasion that it’s probably a good thing that I spent so much time comtemplating death before facing an intimate, tragic, and untimely loss. Honestly, I’m not sure I could have handled it if I hadn’t had at least some preparation, even if only philosophical in nature.
But rereading the words I wrote some 15 years ago is striking, especially so when the anniversary of Jenny’s death is so near. Reading it also brings Forry to mind. Especially this passage:
The followers of Kali believe that it is essential to face the terror of death as well as the beauty of life. What if, when we look death in the eye, we see not the horrorific figure of death that we are taught to expect, but the beauty of death when it comes to us in its natural form?
After losing Jenny so unexpectedly and so tragically, it was an incredibly healing experience to spend time with Forry in his final days. Forry lived a long, satisfying, and fulfulling life, and was ready to leave this world on his own terms. There was something inherently peaceful about seeing, knowing, and understanding that he was ready to go, and that I was there to show him my love and support and to help him in any way that I could. I couldn’t have anticipated how deeply being with him during this time would move me, how much it would help to heal me, and help me move on from an experience of deeply felt grief and back into my life fully lived.
His death, and the fact that I was able to spend so much time with him, was his final gift to me.
Jenny and Forry. My angels. I love you both very much.
Wolf Song
Poking around the net, I found this interesting piece on a site dedicated to “an understanding of the wolf, its natural, history, its varied relation to humans throughout the ages, and its role as a major symbol in folklore, myth, legend, art and religion, through education, science and public awareness.”
Among other things, they have a commentary on my book, Women Who Run with the Werewolves, and its inspiration, Women Who Run with the Wolves.
I’m particularly please with how they summarize my introduction to Women Who Run with the Werewolves:
This article is certainly not suggesting that modern women wish to go out and devour those who have wronged them in the past, but it does suggest that the use of both the wolf as well as the wolf-human hybrid monster can be transformed into tools of reflection on women’s contemporary social condition. A huge part of the appeal, again, is the simple escape from constricting ties. Commitments to work, family, friends, and society at large are not monstrous and they do not have to be domineering, yet a key feature of modern feminism lay in emphasizing the emotional need to feel in control, to be wild and free, to single-handedly determine the course of one’s own path. This is why many women choose to run with the wolves, as well as with the werewolves; the important part is the ability to choose itself.
The ability to choose. The power to choose. Yes, it’s all about empowerment.
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